Masada Live At Tonic 2001 - John Zorn (2001, Cd Neu)

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MPN05709535
De MarcaIn-akustik Gmbh
Allgemein artikel name: masada: live at tonic, 2001 genre: jazz produkt typ: cd label: tzadik titelanzahl: 18 dauer: 140:31 trackliste cd - 1 1. John zorn - intro 1:23 2. Masada - karaim 17:50 3. Masada - ner tamid 5:07 4. Masada - acharei mot 11:07 5. Masada - kisofim 7:12 6. Masada - jachin 6:30 7. Masada - malkhut 4:52 8. Masada - nashim 6:58 trackliste cd - 2 9. John zorn - intro 0:30 10. Masada - lilin 14:43 11. Masada - khebar 5:59 12. Masada - galshan 5:35 13. Masada - malkhut 4:49 14. Masada - shevet 8:08 15. Masada - shamor 7:40 16. Masada - acharei mot 10:27 17. Masada - kisofim 8:35 18. Masada - shechem 13:06 beschreibung beschreibung it is almost impossible to review, let alone do justice, to a recording like this one. Masada has been together long enough now that the quartet members have reached the point of communicating by instinct on the bandstand. The previous live recordings they've issued have offered a glimpse into the growth & development of a band (already honed razor-sharp from its ten studio volumes) that has made the idea of studio records obsolete for itself. Live at tonic is perhaps the most revealing & astonishing record yet by masada, because it was recorded before a very discriminating audience of enthusiasts not only in the band's hometown, but also in its home club. Live at tonic is two complete sets, over two hours in length, in a typically gorgeous double-cd package. What's more, there is only one selection repeated in the two programs. Masada's music has long since transcended the group's ambitious beginnings. Zorn has moved masada into a space where the compositions he writes for the group become jump-off points not only into a singular kind of group interplay, but into a new tonal space altogether. Using hebrew & yiddish folk influences to craft root melodies, the harmonies created by the interaction of the group's front line of zorn on alto & dave douglas on trumpet are striated versions of those from antiquity framed by a language that stands in opposition to the "accepted" language, syntax, & dialectics of jazz in an era that would rather look back to some false notion of an innocent past. Masada looks through history as a referent of carnage, cultural genocide, & miscegenation, but one that has inspired resistance, creativity, & the necessity of spiritual & community values as a response, from the long "karaim," with its knotty double- & triple-line melodies (the third added by bassist greg cohen), to the gorgeously arrayed & furiously articulated "archarei mot," with its rhythmic invention (courtesy of drummer joey baron & cohen) that makes it an almost miles-like funk squealer with zorn & douglas using ornette coleman's clipped melodicrainbow harmonic sense to further the notions of propulsive rhythmic architecture, to the lush woven counterpoint by the front line of "nashim," the encore. Here -- With Its Furious Engagement Of Three Interspersed Tonal Figures In The Foreground As
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